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Ihr werdet weinen und heulen, BWV 103 : ウィキペディア英語版
Ihr werdet weinen und heulen, BWV 103

| movements = 6
| text_poet =
| bible =
| chorale = by Paul Gerhardt
| vocal =
| instrumental =
}}
''ドイツ語:Ihr werdet weinen und heulen'' (You shall weep and wail),〔 BWV 103, is a cantata by Johann Sebastian Bach, a church cantata for the third Sunday after Easter, called ''ラテン語:Jubilate'' (Jubilate Sunday).
Bach composed the cantata in his second year as ドイツ語:Thomaskantor in Leipzig and first performed it on 22 April 1725. It is the first of nine cantatas on texts by Christiana Mariana von Ziegler, which Bach composed at the end of his second annual cycle of cantatas in Leipzig. Based on the Gospel reading from the Farewell Discourse, where Jesus, announcing that he will leave, says "your sorrow shall be turned into joy", Bach contrasts music of sorrow and joy, notably in the unusual first movement, where he inserts an almost operatic recitative of Jesus in the fugal choral setting. The architecture of the movement combines elements of the usual concerto form with the more text-related older form of a motet. Bach scores an unusual flauto piccolo (descant recorder in D) as an obbligato instrument in an aria contemplating the sorrow of missing Jesus, who is addressed as a doctor who shall heal the wounds of sins. Bach scores a trumpet in only one movement, an aria expressing the joy about the predicted return of Jesus. The cantata in six movements closes with a chorale, the ninth stanza of Paul Gerhardt's hymn "ドイツ語:Barmherzger Vater, höchster Gott".
== History and words ==

Bach composed the cantata in Leipzig for third Sunday after Easter, called ''ラテン語:Jubilate''. The prescribed readings for the Sunday were from the First Epistle of Peter, "Submit yourselves to every ordinance of man" (), and from the Gospel of John, Jesus announcing his second coming in the so-called Farewell Discourse, saying "your sorrow shall be turned into joy" (). For this occasion Bach had already composed in 1714 ドイツ語:''Weinen, Klagen, Sorgen, Zagen'', BWV 12, which he used later as the basis for the movement ''ラテン語:Crucifixus'' in his Mass in B minor.〔
In his second year in Leipzig, Bach composed chorale cantatas between the first Sunday after Trinity and Palm Sunday, but for Easter he returned to cantatas on more varied texts, possibly because he lost his librettist.〔 Nine of his cantatas for consecutive occasions in the period between Easter and Pentecost are based on texts by Christiana Mariana von Ziegler, this one being the first of the series especially written for Bach.〔 He had possibly commissioned them in 1724 for his first cantata cycle but not composed them at that time, because of his exceptional workload in creating the ''St John Passion''.〔
The librettist begins with a quotation from the Gospel, verse 20, and concludes with the ninth stanza of Paul Gerhardt's hymn "ドイツ語:Barmherzger Vater, höchster Gott" (1653).〔 Her own poetry reflects, in a sequence of recitatives and arias, in two movements sadness at the loss of Jesus, and in two others joy at his predicted return. Bach edited her writing considerably, for example in movement 4, excising two lines of four and rephrasing the others.〔
Bach first performed the cantata on 22 April 1725 with the Thomanerchor. For later performances, he revised the instrumentation, replacing the flauto piccolo by a flauto traverso.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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